|
 
Cornelia Ravenal has written for theatre, film
and print, beginning with the long-running
musical OUT OF THE REACH OF CHILDREN, for which she wrote book, music
and lyrics, with productions
in New York and regional theaters through
the '80s. In the '90s she freelanced as a journalist-photographer
for magazines and newspapers
in India and North America, with close to
sixty pieces published on health, business, art, film and South Asian
culture. As a writer-producer
of videos and multimedia events for non-profit
and corporate clients in the US and in Europe, she guided over forty
productions from inception
through editing. Her first independent film,
FIVE FEELINGS ABOUT FOOD, co-directed and co-produced with Mikael
Södersten, has been in
a dozen festivals and has won several “Best” awards. Most
recently, she wrote and produced two shorts,
WHITE MAN'S BLUES and THE OTHER WOMAN (www.TheOtherWoman2007.com).
Both are now on the festival
circuit. She is also a photographer and artist;
her first solo gallery show opened in Sweden in 2007. OUT OF THE REACH
OF CHILDREN is slated
for a revival in 2008.
Mikael Södersten has directed films for Swedish National
Television and collaborated on numerous fiction and documentary projects.
His first film, FISSURA, a narrative short, was broadcast in Europe
and used as a teaching tool in Scandinavian hospitals. His second film,
PASS, starred Michael Nyqvist, Sweden’s leading actor. In the
early '90s, he headed the National Swedish Independent Film Festival
(Filmens Dag) and taught filmmaking and story structure in corporations
and at the Swedish Royal Academy of Fine Arts. During that time he
also worked in Denmark, Greenland and his native Sweden as a producer,
screenwriter, cinematographer, editor and sound editor. In the mid-'90s
he ran the production division of a multimedia company in Stockholm.
He returned to filmmaking with FIVE FEELINGS ABOUT FOOD and two other
shorts, WHITE MAN'S BLUES and THE OTHER WOMAN, all with his wife and
filmmaking partner, Cornelia Ravenal. He recently consulted on and
conducted on-camera interviews for THE PRIZE OF THE POLE, a Danish-Swedish
co-production now in international distribution. As Senior Development
Consultant to the Swedish Film Institute, he works with directors and
producers across Europe.
Full Credits
Visit Mimi Oka & Doug Fitch at: www.orph.us
The filmmakers would like to acknowledge the work of three still photographers whose work appears in the film: Gabriel Greenberg, Alvaro Gonzales-Campo, and especially Matthew Monteith. |